It doesn't matter if we turn to dust
3 out of 5 Stars
This was Blue Oyster Cult making a prototypical late 80's album; heavy
on the reverb, loaded with sythns and hooks that sounded semi-forced.
Alan Lanier had already left, and Al and Joe Bouchard were so
frustrated that they bailed out during this album. Some two decades
after its initial release, "
Club Ninja
" still stands as BOC's weakest
of their CBS records. This was BOC trying to sound like they were radio
relevant, like they could show those whippersnappers in
Def Leppard
who came first.
Which would explain arena rock-chant silliness like "Beat'em Up"
and "Make Rock Not War." It also is telling that almost half the album
was penned by non-band members. The strongest of "Club Ninja's" tracks
is "Perfect Water," penned by Don Roeser. There's a blatant attempt at
making another
Burnin' For You
in "Dancing In The Ruins," which ain't bad. Even though it's written by
the Legget Brothers, "White Flag" does start the album off with a bang.
The closer, "Madness to the Method," overcomes the dopey title to sound
like the band still wants to steer back to the old
Agents of Fortune
years.
"Club Ninja" is half a good album. What is kind of sad that BOC
made so many rock albums that defined the art that half-cocked arena
rock just sounded disappointing. The follow-up,
Imaginos
,
was one of the band's best, but the fall-out from "Club Ninja" left
fans so far out in the cold that "Imaginos" all but disappeared on
issue (only recently has it finally been re-issued on American Beat).
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