Showing posts with label sparks. Show all posts
Showing posts with label sparks. Show all posts

Sunday, June 13, 2010

My Amazon Reviews: Sparks "Profile: The Ultimate Collection"

Profile: The Ultimate Sparks CollectionSqueezing Out Sparks
4 Out of 5 Stars

From their inception as Half Nelson to the current incarnation as avant-garde popists, Ron and Russell Mael have defied every convention, inspired hundreds of other bands, developed a rabidly loyal cult following (count me as a member) and yet, this is the only compilation of their work to date. While it may be hard to top this double disc set, I find that fact a little depressing.

However, over two discs and 40 songs, Sparks show why their fans are almost deliriously devoted to the Mael brothers. There's three decades worth of good music to be found here, and a chance to hear how the band and music itself has evolved through the years. Starting with the earlier singles, like "Wonder Girl" and the still astonishing "This Town Ain't Big Enough for The Both of Us," the band's mix of English theater and Glam took hold. Naturally, no one in America bought the act. So they headed for England and, just as naturally, become huge.

It's easy to see the qualities that made Sparks so influential at the time. Russell's vocals obviously had an influence on a young Freddie Mercury, and the quirky lyrical qualities seem to have filtered into bands like 10cc. Then you have the 'look' of poster-boy Russel with mustachioed nerd and keyboard whiz Ron, a dichotomy the likes of Cheap Trick doubled down on. Rick Nielsen obviously liked the kind of subversive glam Sparks put out, as their "Surrender" could have dropped out of a Sparks album.

But it was Sparks' lack of USA success that seemed to allow them the leeway to try anything. The thin sound of earlier albums led to bigger, funnier numbers like "Never Turn Your Back On Mother Earth" and maybe the only pop song to ask about Albert Einstein's life as a kid on "Talent Is An Asset." When that got to be boring for the brothers, they did a complete 180 and asked Giorgio Moroder to produce the Munich Disco "No 1 In Heaven," a 1979 primer for the likes of Depeche Mode and The Human League.

History finally caught up with Sparks, as albums like "Angst In My Pants" and the song "I Predict" began to break through on MTV. The exaggerated focus finally paid off when Go-Go and fan Jane Wiedlin dueted on the sublime "Cool Places" and "Sparks In Outer Space" finally became a commercial sucess in America. While that was the band's commercial peak, it is by no means the artistic one. Such chucklefests as "All You Ever Think About Is Sex" and the seriously great "Change" continued Sparks' sting of creativity.

The collection goes up to 1988, but there are several Sparks albums since. You can still buy this set, thanks to Rhino, but the band continues their subversive streak on albums like Hello Young Lovers and Exotic Creatures of the Deep.

Wednesday, June 9, 2010

My Amazon Reviews: Sparks "Plagiarism"


PlagiarismKeep On Spewing Your Propaganda
3 Out Of 5 Stars

As the saying goes, if you're going to steal, steal from the best. Sparks made that decision to turn what started out as a tribute project into a remake and remodel a croup of selected songs. And while I am a fan of Sparks, one of the things that is most appealing about them is their eclecticism. That makes them an acquired taste, so if you take the songs and smooth out the quirks, they loose a bit of their manic brilliance.

"Plagiarism" may be a showcase for Ron and Russell's often overlooked music sophistication, but many of the songs here don't measure up to the original counterparts. Sometimes it works, as it does for the opening pomp of "Pulling Rabbits Out Of A Hat." Seeing as this was from one of Sparks weaker albums to start, the orchestral bombast and operatic backing vocals enhance the song. However, the string saturated version of "This Town Ain't Big Enough For The Both Of Us" loses its dynamic tension.

The same can not be said for later on the disc, when fans Faith No More add their own brand of crazy to the same song, turning it into a battle between Russell and FNM's Mike Patton. It's sufficiently manic enough to make that version a keeper. Expanding "Propaganda" from twenty seconds into a full blown showstopper works, too. On the minus side, the redoes on "The Number One Song In Heaven" and "Beat The Clock" (with Erasure and Jimmy Sommerville, respectively) sound pretty much the same as their originals, which makes them kid of pointless. Erasure's other contribution is to spice up "Amatuer Hour" in a good way. I also like the marching band arangement on "Change."

Overall, "Plagiarism" is good for the die-hard Sparks buff, but not a real introductory disc. Stick with "Propaganda" or "Indiscreet," or the double disc Rhino anthology

Monday, May 24, 2010

My Amazon Reviews: Sparks "In Outer Space"


In Outer SpaceHere to Infiltrate and Get a Tan
4 Out of 5 Stars

New wave, Devo, the Go-Go's, Huamn League...and Sparks. In 1983, the United States finally collided with the time-lines of Ron and Russel Mael. Their keyboard driven eccentric pop and wacky sense of humor fit right into the current musical scene, and with the host of New Wave acts that were all to happy to cite Sparks as one of their primary influences, "Sparks In Outer Space" became the brothers' biggest American hit. One of those devotees, Jane Wiedlen, teamed up with Russell for the impeccably perky "Cool Places," and the accompanying video drove the single into the US top 50. It was also one of Sparks' catchiest songs in years, with Wieldlen's perky vocal the perfect counterpart to Russell's archness. Propaganda

The other, lesser known duet is a humorous tale of mismatched partners lost at sea, "Lucky Me Lucky You." In addition to those two songs, we have the goofy "All You Ever Think About Is Sex" and the Devo-ish "A Fun Bunch Of Guys From Outer Space." I have always enjoyed the relatively straightforward "Rockin' Girls," where Russell falls in love "the only girl I ever met who hates 'Hey Jude'." As is the case with many of the best of Sparks' discography, "In Outer Space" always finds a way to subvert the most typical pop conventions with the clever and comic. As far as the 80's were concerned, this was the album to which they did it best, and is easily as good an album as "Propaganda" or "Indiscreet."