You've got something that will save us now.4 Out Of 5 Stars
Like the modernistic neon bars used to indicate the "New" title, Paul McCartney steps up to the new world of modern-ish music and applies a sheen and glow to his newest collection of pop-tunes. While "Memory Almost Full" seemed like a coda to a long career and well lived life and "Kisses From The Bottom" had a wiff of the old-fogy about it, "New" tosses that aside and finds McCartney still willing to challenge his younger contemporaries, down to having hot-shot Mark Ronson produce a few selections, in particular, the buoyant title track.
The lead-off, "Save Us," is a rocker in the Wings mold, without the annoyance of "Nod Your Head" (from "Memory") or the screaming mania of "Cut Me Some Slack," the song Paul recorded with the surviving members of Nirvana. Yes, despite the willingness to go out on the occasional limb, "New" is an album that is eager to please, even if it doesn't play its hand as a totally safe one. In that aspect, it's reminiscent of "Flaming Pie," one of Paul's best from the 90's. Which also means that there's a shout out to his days as a Liverpool youngster on "Early Days," where he tells those who have romanticized The Beatles too much for his tastes by stating "I don't see how they can remember/When they weren't where it was at."
McCartney certainly isn't above a little cheekiness, as "Early Days" and the buzzy "Queenie Eye" show. And who would have thought Paul still had time for a little lyrical nonsense like the clever "Alligator?" It's also a pleasant surprise to hear the keyboard driven "Road," which is the haunting final song before the uncredited song "Scared." "I'm still too scared to tell you...the simplest of words won't come out of my mouth, though I'm dying to set them free," he croons in the way only McCartney can in "Scared." That McCartney can still be so emotionally naked and willing to try and challenge himslef in the way "New" does is a pretty remarkable feat for a man making music for over 50 years.
