Editor Mode
4 Out of 5 Stars
I am of the opinion that "In This Light and On This Evening" is The Editors' best album to date. It takes their Joy Division/Interpol roots and pumps up the synths while seriously downplaying the guitars. They also seem more engaged with the songs than on "An End Has A Start." And before you know it, I'm making comparisons to Depeche Mode's "Black Celebration."
As devotees to the new new wave, The Editors have found a solid groove. That much is obvious on the opening track. A pulsing synth may surprise the guitar fans of the prior two albums, but then Tom Smith's deep baritone lets you know that you've got an Editors album on the player. Then comes a big revelation; "In this light and on this evening, London's become the most beautiful thing." Smith's happiness meter has spiked up noticeably on this disc, to the band's betterment.
That's not to say The Editors have gone completely soft. "Raw Meat/Blood Drool" is a pretty disturbing number. That said, it also has a memorable hook, which is something that categorizes most of "In The Light...". There's an obvious effort to make bigger melodies here than before, along with catchy choruses. Make no mistake, The Editors aren't The Archies. But with this album, they've managed to match their passions with their song-craft. Already one of my faves for the year.
4 Out of 5 Stars
I am of the opinion that "In This Light and On This Evening" is The Editors' best album to date. It takes their Joy Division/Interpol roots and pumps up the synths while seriously downplaying the guitars. They also seem more engaged with the songs than on "An End Has A Start." And before you know it, I'm making comparisons to Depeche Mode's "Black Celebration."
As devotees to the new new wave, The Editors have found a solid groove. That much is obvious on the opening track. A pulsing synth may surprise the guitar fans of the prior two albums, but then Tom Smith's deep baritone lets you know that you've got an Editors album on the player. Then comes a big revelation; "In this light and on this evening, London's become the most beautiful thing." Smith's happiness meter has spiked up noticeably on this disc, to the band's betterment.
That's not to say The Editors have gone completely soft. "Raw Meat/Blood Drool" is a pretty disturbing number. That said, it also has a memorable hook, which is something that categorizes most of "In The Light...". There's an obvious effort to make bigger melodies here than before, along with catchy choruses. Make no mistake, The Editors aren't The Archies. But with this album, they've managed to match their passions with their song-craft. Already one of my faves for the year.
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