My Amazon Reviews: Todd Rundgren “The Definitive Rock Collection”

Name Your Price, A Ticket To Paradise...
4 Out Of 5 Stars

Trying to boil Todd Rundgren's prolific output down to two CD's basically means nobody will ever be completely satisfied. That holds true for this "Definitive Rock Collection." While it tries mightily to give Todd's music a fair shake, I will still say that there's songs that I wished were here. But that hardly matters, as everything here is good to great. Not a dud in the set.

Todd has a little bit of everything. Classic pop songwriting ("Hello It's Me"), soul bred from his life in Philadelphia ("The Want of a Nail" with soul legend Bobby Womack), and harder rock (mainly with Utopia, represented here by "Hammer In My Heart"). There was even the prog-rock that some albums ("Ra" or "Something/Anything") reached for that is sadly not represented here. You do get many songs here that should have been hits (probably because of Bearsville Record's notoriously chintzy promotional tactics) like "Time Heals" or "Real Man." Same with Utopia, who were cheated out of a hit when England Dan and John Ford Coley covered "Love Is The Answer." However, this being the first Rundgren anthology that includes choice Utopia songs does give this set an edge over others. We can also add that the re-mastering is excellent and begs the question of why there haven't been deluxe editions of some of Todd's best (Come on Rhino, you already have the catalog).

I have some personal faves here, like "Compassion," "Love In Action" and "Change Myself." You get the hits themselves, "Hello It's Me," "We Gotta Get You a Woman," "I Saw The Light" and "Can We Still Be Friends" but not Todd's top 40 remake of "Good Vibrations" from "Faithful." The almost hits "Bang On The Drum All Day" (which has become something of a radio staple since), "A Dream Goes On Forever" and "The Verb To Love." Then there are the unsung heroes like the terrific Utopia songs, "Cry Baby," and "Love In Action" or Todd's "All The Children Sing."

As I noted previously, there are those who will nit-pick that "The Definitive Rock Collection" miss a whole batch of prime Todd (like skipping The Nazz's "Open My Eyes") but for a primer for Rundgren and Utopia, you'll have a tough time finding better short of your own playlist.

     

My Amazon Reviews: Mumford and Sons "Wilder Mind"

With nary a banjo in sight.
4 Out Of 5 Stars

In what must feel as divisive as the day Bob Dylan plugged his electric guitar in at the Newport Folk Festival, Mumford and Sons put away all their acoustical instruments and jack in the electrics. I don't see how this album could do anything but divide those fans who listened to "Sigh No More" and "Babel," then come to this. "Wilder Mind" says so long to the banjos and hello to the amplifiers. Is this a good thing? How does the band deal with wanting to step into the shoes of U2?

I don't think it's any secret that Mumford and Sons always wanted to sound big. After all, even with the acoustic guitars, the songs were often all about the bombast. Think of how potent "Lover Of The Light" or "The Cave" are, even behind the sound. They are anthems meant to shake the rafters. A friend of mine even referred to "Babel" as "God and Bombast." Turning the amps up is kind of a natural progression for the band. But I still doubt anyone would have predicted the pounding that comes from "The Wolf" or "Ditmas."

What remains is Marcus Mumford's voice and his way around a lyric. The songs are credited to the entire band, which likely meant that each member designated his volume to the instrumentation, as the lyrics remain as soul searching as ever, and a little less on the God Quest side of things. And when the sonics aren't overwhelming, the songs sound as brightly as they might have on the band's earlier albums ("Believe" and "Hot Gates").

This may still come as a bitter pill to swallow for the fans expecting more of what the first two albums represent. I would suggest that you test the samples first or think about what U2 (or a heavier version of Coldplay) might sound like. The songs themselves are good enough for me to forgive the amplification, but "Wilder Mind" takes a little getting used to. Be prepared.

     

My Amazon Reviews: Walk The Moon "Talking Is Hard"

Pop is Easy
3 Out Of 5 Stars

Walk The Moon are a band that makes the kind of effortless pop that can make a power popper go green with envy. Almost every song here is perky, danceable and anchored with a mighty hook. You've likely heard the invincible single, "Shut Up and Dance." But fair warning; it's the best song on the CD. Like a lot of bands enamored by 80's new wave and synth pop, much of "Talking Is Hard" is very derivative, even though it's a lot of fun. It's jellybean music, all sugar and chewy.

As a genre album, you can't do much better. Walk The Moon remind me more than a little of Neon Trees, who also specialize in this sort of dynamo pop. Even when they try and scream one out ("Up 2 U"), you're still playing spot the influence, even though you're still digging the hook. "Work The Body" has a hand clapping goodness about it - it could easily be the follow-up single. The overall effect of the album is one of effervescence and cheeriness. When they ask "What do you spend your money on?" and respond in kind, "I hope it's something of value," they could easily be describing "Talking Is Hard." There's nothing heavyweight here, but it's all in good fun. "Shut Up and Dance," indeed.