My Amazon Reviews: Morrissey "Vauxhall And I"

I bear more grudges than lonely high court judges (remastered version review)
5 Out Of 5 Stars

After the glitter bomb that was "Your Arsenal," Morrissey decided to slow the pace a bit. "Vauxhall and I" was a much more languid and consistently paced album than any other solo albums. In fact, the guitars frequently hide in the background to allow more more Morrissey's ironic and witty lyrics to come to the fore. This was also one of Morrissey's most successful American albums, even managing to have a scrape of the top 40 with the single " The More You Ignore Me, The Closer I Get."

Just because the tempo had slowed down, that certainly didn't mean that Morrissey was showing any signs of mellowing out. His literate wit and self depreciating personality frequently shine through. He even dips a toe into progressive rock with a whispered "Lifeguard Sleeping, Girl Drowning." His literary references, be they "Billy Budd" or the World War II denial of the "Lazy Sunbathers," again offer proof that the 80s had a few wordsmiths as clever as Morrissey was. This 20th anniversary edition of "Vauxhall and I" reminds us just how potent Morrissey is at his very best.

The bonus live concert from the period shows just how reinvigorated Morrissey was at the time of this album. Energetic and buoyant, the guitars that had been relegated to the background moved to the foreground. Morrisey gives a delicious, more playful reading to a variety of songs, giving "Billy Budd" more force and making "The More You Ignore Me" into jangle pop. It's a fine complement to "Vauxhall and I's" seemingly mature attitude. The remastering itself is one of those that actually highlights passages you may have missed in the original version. As such this nearly flawless album has a version that is a must own.

     

My Amazon Reviews: OneRepublic "Waking Up"

Waking Up and Going Big
 3 Out Of 5 Stars


For their second album, OneRepublic mastermind Ryan Tedder must have woken up and decided if a lot of production was terrific, than over-production would be fabulous. As a songwriter to the stars (he counts Adele and Beyonce for resume points), he certainly knows his way around songwriting and hooks. But for a writer with so many soul and R'n'B artists on his Rolodex, when it comes to his own material, Tedder aims squarely at the rafters of the world's areanas, with a jealous eye towards the likes of Muse.

Take "All The Right Moves." The first song on the disc may be "Made For You," but that song ends with a children's choir that sings the "All The Right Moves" anthemic chorus just before the bombastic percussion for the song itself bursts in. Strings swell as Tedder arcs his voice for a final soaring falsetto on the chorus' catchy hook. same with "Secrets," where Tedder takes a page from his mentor Timbaland and mixes rap verses with a high flying chorus and more strings. Or the closer, "Lullaby." Every bit as sedate as the title suggests, it's also twice as earnest as it probably needs to be. "Waking Up" contains bombast, but it's a good kind of bombast.

Problem is, after awhile, you wish he'd just pull in the reins a little. The title track is such an obvious U2 clone that you wonder if Tedder stole it from an early draft of "Spiderman: Turn Off The Dark." The militaristic drumming of "Marching On" is overkill, even if the left, left, left right left hook is unshakable. The hooks throughout "Waking Up" are the calling card; they show exactly why Tedder has become such a go-to guy for the stars. Even my favorite song here, "Everybody Loves Me," strikes the perfect balance of snappy beats and earworm. Maroon 5 or Justin Timberlake would probably kill to get their teeth into it.

Unfortunately, and why this album ultimately gets an average rating from me, I don't hear an identity on "Waking Up." If Ryan Tedder wants to jump ahead of the likes of The Fray and become the equal to Maroon 5's Adam Levine (or genre champ Chris Martin of Coldplay), he's going to have to prove he's got more in him than ace writing chops. OneRepublic has the ambition, Tedder obviously knows both the writing and production craft, now it's to be determined if he can become in individual above the skill sets.