Showing posts with label Weezer. Show all posts
Showing posts with label Weezer. Show all posts

Tuesday, October 28, 2014

My Amazon Reviews: Weezer "Everything Will Be Alright In The End"

Rocking Out Like It's '94
4 Out Of 5 Stars

Weezer took a four year hiatus before delivering "Everything Will Be Alright In The End," with much hullabaloo that they were returning to previous form, the kind that made the Blue album and Green album great. And guess what. For a change the hype lives up to the album. "Everything Will Be Alright In The End" is full of big riffs, catchy hooks and geeked out songs that only Rivers Cuomo can produce.

They even poke fun at fan disappointment in the lead single "Back To The Shack." They promise to play the "start with the lightning strap...more hardcore." They also let you know that even they are tired of "those stupid singing shows," But they also turn the other cheek with "Eulogy For a Rock Band." Did they feel like they might have been left behind? "Time marches on, words come and go," they sing, as they worry about becoming the kind of band machine that plays the greatest hits circuit forever and ever. It's a trap the band won't have to worry about.

Cuomo still turns out great turns of lyrical phrase like (in "DaVinci") "Stephen Hawking can't explain you, Rosetta Stone can't translate you." It's done in the trademark power-pop that has always been the hallmark of the best Weezer songs. It's no coincidence that Ric Ocasek (of The Cars) is back to producing, he was behind the boards of the Blue and Green albums. It's more of the point that Weezer wants to remind you that they have greatness in them once all the right ingredients are in place. That includes a duet with Best Coast's Bethany Cosentino on "Go Away," where she's the one calling Cuomo out for years of d-baggery.

That's not to say the album is pure brilliance; both "The British Are Coming" and album closer "The Futurescope Trilogy" suffer from blandness on the former and trying too hard on the latter. Even so, "Everything Will Be Alright in The End" compensates for the past few mediocre albums (anyone seriously looking back at "Hurley" with nostalgia?) and puts them back on top of their game.


     

Tuesday, October 19, 2010

My Amazon Reviews: Weezer "Hurely"

Hurley (Deluxe Version)Weezer's "Lost" Album
3 Out Of 5 Stars 

I guess it is getting too easy to be Weezer these days. Come up with an infectious guitar riff, write some seriously oddball lyrics, and let Rivers sing in his geeky lost-boy voice. While he's still one of the best at this game, he is also beginning to sound seriously old-hat about it. A song as lame as "Memories" also contains a killer hook and a great line about "when Audioslave was still Rage," all while going for the nostalgia quotient for the fans who were on-board back when the first album shocked everyone.

"Hurley" is a 50/50 Weezer album, about the same as "Maladroit" or "Make Believe" in my Weezer rankings. In fact, two of the best songs are the bonus tracks, the soccer team anthem "Represent," and (of all things) the kids' show "All My Best Friends Are Insects." Frankly, given Rivers' childlike view of the world at times, writing a song for "Yo Gabba Gabba" about bugs with a serious buzzing guitar seems like a natural. As opposed to "Smart Girls," which just sounds forced. (As a point of reference, I thought "Where's My Sex" to be amusing, too.)

At least they're still trying to reinvent their wheel. "Unspoken" sounds like they're going for maturity without the cheese, and "Time Flies" could be this year's "Good Riddance/Time of Your Life." Good for them.

PS - "Hurley" succumbs, badly, to the loudness wars. The darn thing is compressed to within an inch of its life. And coming soon, a deluxe version of Pinkerton.


Weezer Weezer (Red Album) [Deluxe] Weezer 2