My Amazon Reviews: The Black Keys "Turn Blue"

Psychedelic Stew
4 Out Of 5 Stars

While The Black Keys were always something of a glorified garage band, it's no surprise that they'd eventually delve in to the psychedelical forms of the 60's garage bands. Think "96 Tears" or "Journey To The Center of Your Mind." So the question isn't so much as what The Black Keys are doing with the spacy sounds that scatter through "Turn Blue," It's more like, "What took you so long?" Dan Auerbach and Patrick Carney, along with producer Danger Mouse, delve deep in the a psychedelic swamp and emerge with a mighty fine album that is sure to polarize. The album is still primarily the guitars and drums, but the crunch is replaced by woozy synths and female backing singers.

The opener, "Weight Of Love," puts it all out there. Straight up blues with touches of Pink Floyd spaciness, it's a mission statement. The band wants to expand their musical horizons and blow your mind at the same time. Ditto the single, "Fever." It's as sugary as it is spacy, while still pinned down by the guitar/drums of the Black Keys basic sound. Such mixtures run rampant all over "Turn Blue," be it the dreamy build up to a punchy "Bullet In The Brain" to the funky "10 Lovers," or the jungle drums of "It's Up To You Now," this album is The Black Keys tweaking their sound to a slightly different color palette.

But if you were missing the big guitars, then hang in there for the album's closer. "Gotta Get Away" has a big guitar hook raging on top of Danger Mouse's organ, landing the most basic rock on "Turn Blue." Complete with one of Dan's buzzing solos, it's just their way of saying they've still got their guts in the rock and roll of their previous albums. Love it or hate it, "Turn Blue" catches the Black Keys getting courageous enough to deliver an album that punches and floats, often in the same song.

     

My Amazon Reviews: Train "Bulletproof Picasso"

This Train Keeps A'Rollin'
3 Out Of 5 Stars

Picking up where "Highway 37" left off, Train keep up their winning streak with "Bulletproof Picasso." Pleasing pop rock, a variety of styles and Pat Monahan's easy on the ears voice. From a far back place, he cries out "hey baby" on the opening "Cadillac Cadillac," like he's vying for your attention, and he keeps it for the album's 12 songs. They also keep the harmonies intact, especially the opening to "Angel In Blue Jeans," which is downright soulful.

There's even some toying with country western, as the typical country topic "I'm Drinking Tonight" finds him pining for a lost love. What's the way out? "The only thing stronger than you is whiskey...poison's the cure." Reminded me a little of Chris Isaak's high lonesome, just without the falsetto. Speaking of falsettos, Pat gives his some running room on "Give It All," which veers in the direction of Maroon 5. There's plenty of romance and life lessons to go around, especially on the make up song "Baby, Happy Birthday," where a chastened Pat sings his heart out for forgiveness. Or the sweet acoustic "Don't Grow Up So Fast," this time sung as a reminder of parenthood to keep the growing years precious in your hearts.

Still, there's lots of playful and catchy material here. The bubbly duet with Marsha Ambrosius, Wonder What You're Doing For The Rest Of Your Life" even has the band in giggles at the start. While I think "Highway 37" has the edge as the better album, "Bulletproof Picasso" mines the veins from party to pathos and keeps the Train comeback ride alive.

     

My Amazon Reviews: Roxanna "Exotica"

Falling for Exotica
3 Out Of 5 Stars

Hailing from Iran, the US and her adopted homeland of Canada, Roxanna uses her multicultural upbringing to inform "Exotica," a lushly produced debut album. While she claims Olivia Newton John and Julio Iglesias as muses, the modern listener will hear traces of Gloria Estefan and Celine Dion. That could be drawn from producer Mark Portmann, who has worked with the likes of Dion, Barbra Streisand, Annie Lennox and Christina Aguilera. You get the picture. Pretty pop, lovingly sung by a wishful Diva. The extra thing Roxanna has going for her album is the distinct Latin flavor it incorporates. Flamenco guitars and jazzy trumpets flow in and out of songs like "Here With Me" and a solid cover of Lionel Richie's "Hello."

The style is high diva, with majestic climaxes (the big building "Close Your Eyes") and the Internationally exotic cover of Iglesias' "El Amor," sung in its original Spanish. (The CD opens with another Iglesias tune translated into English, "Only You.") Many of the songs here are heartfelt originals that Roxanna had a hand in composing, including the first song she ever wrote, "Unforgotten," all about being stood up for her own wedding. Talk about drawing from real life.

Overall, "Exotica" is a sturdy debut and stumbles only on a too loungey cover of The Hollies' "The Air That I Breathe." If anything, I'd like to hear Roxanna step away from the safe territory she effortlessly glides throughout much of her debut. But for those looking for contenders to the woman who could be the next big Pop Diva Songstress, Roxanna is quite near the front of the pack.